WINTERTHUR: MORE MUSEUM THAN HOUSE
THE house-museum is a special breed of cultural artifact, not quite a house, and not quite a museum, either. It has neither the sense of domesticity of a true residence nor the air of a Great Institution that so many museums possess. It is something oddly in between. Most house-museums were, of course, houses - they were built to be lived in, and part of their appeal is in our wonderment that the processes of daily life could actually go on within such quarters, so far from a normal domestic environment as they usually are. Who could imagine sipping morning coffee within what is now the Frick Collection on Fifth Avenue, for example, or pondering a choice of wardrobe within Fenway Court, the Isabella Stuart Gardner house that is now one of Boston's most beloved museums? And the sense of absolute awe that confronts the visitor to the immense and ornate palaces of such places as Newport is surely among the major attractions these buildings hold for us. The Vanderbilt houses are notable examples of the work of Richard Morris Hunt and can be called distinguished architecture, but even the most serious architectural scholar must admit to a certain degree of voyeuristic pleasure when he or she visits these marbled quarters. Part of the appeal, in other words, is the amusement of seeing how the rich once lived.