SURPRISES ARE NO SURPRISE ON OFF OFF BROADWAY
By Mel Gussow
BY definition, Off Off Broadway is a floating festival of diverse theatrical events, offering something for every taste. This weekend in particular, the scene is alive with promising entertainments. The emphasis is very much on spectacle, but in typical, experimental fashion, the spectacle can be an extravagant musical drawn from the Biblical plagues, Shakespeare transplanted to ancient China or a trio of inspired tomfools. And to even the score, there are new plays by very young dramatists and a restorative revival of a drama by Tennessee Williams. Two prolific theaters are showcasing a range of work by favorite sons and daughters. In the vast expanse of La Mama Annex is a musical called ''The Plagues,'' written by Eve Merriam and Tom O'Horgan, and directed by Mr. O'Horgan. In residence on other La Mama stages are Paul Zimet's Talking Band, doing an ensemble play with music titled ''Hot Lunch Apostles,'' and Harris Yulin, a Broadway star, playing the title buncombe artist in Richard Ploetz's ''Barnum's Last Life.'' At the nearby Theater for the New City, 162 Second Avenue, at 10th Street, Leonard Melfi, a graduate of both La Mama and Theater for the New City, is showcasing a new epic musical, ''Rosetti's Apologies,'' while on another New City stage, Stuart Sherman is demonstrating his one-man, world-in-a-suitcase art with a performance piece called ''13 Spectacle'' (tickets for both $4; information: 254-1109).