EMBELLISHING 80'S INTERIORS: THE RETURN OF DECORATION
By Joseph Giovannini
UNTIL several years ago, contemporary designers frequently remodeled older apartments and houses by removing moldings, knocking down walls and eliminating rooms, to open up the interiors for space to ''flow.'' Beauty resided in the spaces' essential simplicity, openness and light. But by the late 1970's, with minimalism pushed to the point of austerity and the interiors of whole buildings dissolved in white paint, there was simply nothing left to take out, nowhere less to go. For some designers, the great temptation within this bare, luminous interior was ornament. The California designer John Ruble says: ''It all started as a flirtation. I was first attracted to ornament because I was told not to do it.'' The other great temptation was to create the simple four-sided room. Lisa Lee, an architectural designer working in the Princeton office of Michael Graves, calls it ''that wonderful sense of 'roomness' - not vague spatial areas, but well-defined rooms that give you a sense of place, with decoration confirming that roomlike feeling.'' Today, designers like Mr. Ruble and Miss Lee, confronting an old apartment or house, might decide to keep the rooms, walls and moldings, and even to use the walls as surfaces for more decoration. For them, the wall, and along with it, the floor and ceiling, are no longer abstract planes, but surfaces with potential for embellishment.