MET MUSEUM SALUTES CHARLES W. PEALE, RENAISSANCE YANKEE
By Grace Glueck
ABRIGHT star in the glittering cast of 18th-century America was the polymath Charles Willson Peale (1741-1827). A saddlemaker in his youth, he went on to become a renowned portraitist, for whom George Washington sat no fewer than seven times. A naturalist, he led the first organized scientific expediton in American history. A museologist, he set up the earliest systematic museum of art and natural history in North America. An inventor and developer, he came up with porcelain false teeth and a farm cart based on the principles of the mariner's compass, which would transport milk without spilling it. A devoted husband and father, he survived three wives and sired 17 children, several of whom became artists themselves. The Peale we know best is, of course, the painter, a homespun realist, whose convincing renditions of early American faces - including the members of his own artistic family - reflect the buoyant energy and optimism of a country on its way to success. But the exhibition ''Charles Willson Peale and His World'' at the Metropolitan Museum of Art, Fifth Avenue and 82d Street, through Sept. 4, deals with all of the Peale facets, presenting some 170 objects, including portraits, miniatures, landscapes, drawings, prints and surviving exhibits from Peale's early museum. Surprisingly, it's the first full-dress show ever given to this Renaissance Yankee, whose bustling career embodies that of the young nation.