TOUGHT TIMES FOR THE FI-FI NOVEL
IN an era when economic and business affairs dominate the news and appear to shape the nation's character, it is odd how small a percentage of successful fiction deals with the executive suite and the board room. These are the arenas in which the power of money and the workings of ego and ambition connect and from which the consequences of that connection reverberate into millions of lives and trillions of dollars. Yet it would seem to be the view of serious literary personages - whether novelists, critics, editors or inveterate readers -that only in everyday life can suitably serious material be found. Henry James's ''figure in the carpet,'' as he characterized the object of the novelist's search, is now the figure in the linoleum. There are abundant reasons for this fixation with the ordinary, mostly having to do, I think, with the estrangement of the bookish community from the notion of business per se. Anyone wanting an earnest of this need simply look at the managerial and marketing efforts of most publishing companies. But the money part of the examined life has engaged novelists from Jane Austen on. The organized making of money - i.e., selling, finance and management - has been a central concern of the work of Balzac, Dickens, Trollope, Dreiser, Sinclair Lewis.