On this day
September 4, 1934
Revisit the news, notable people, and historical moments connected to this date.
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Headlines from September 4, 1934
FIRST STRIKERS GO OUT; Sloan Challenges Gorman Figures, Saying Only 21% Responded. REAL TEST IS DUE TODAY Unions Seek to Close 'Bottle Neck' of Dyeing, Bleaching and Finishing Plants. SILK CONTRACT IS CITED Paterson Manufacturers Say Attempt Is Made to Break Agreement With Mills. Gorman Reports Progress 50% TIE-UP IS SEEN IN TEXTILE STRIKE
Demands representation in general strike plan
Front Page 2 -- No Title
Hopkins Denies FERA 'Will Underwrite Strike'
H L Hopkins denies that FERA will underwrite strike
Sir Henry Wood Found ' -- sky' Name Asset; Fooled Music World 5 Years as 'Klenovsky'
Reveals that P Klenovsky, transcriber of Bach's organ toccato and fugue in D minor, is himself
Notable Births

1934Clive Granger, Welsh-American economist and academic, Nobel Prize laureate (died 2009)[†]
Sir Clive William John Granger was a British econometrician known for his contributions to nonlinear time series analysis. He taught in Britain, at the University of Nottingham and in the United States, at the University of California, San Diego. Granger was awarded the Nobel Memorial Prize in Economic Sciences in 2003 in recognition of the contributions that he and his co-winner, Robert F. Engle, had made to the analysis of time series data. This work fundamentally changed the way in which economists analyse financial and macroeconomic data.
1934Antoine Redin, French footballer and manager (died 2012)[†]
Antoine Redin was a French football player and manager. He played for FC Nancy, Toulouse and AS Nancy. He coached AS Nancy and Bastia.
1934Eduard Khil, Russian baritone singer (died 2012)[†]
Eduard Anatolyevich Khil, often anglicized as Edward Hill, was a Russian baritone singer.
1934Jan Švankmajer, Czech filmmaker and artist[†]
Jan Švankmajer is a Czech retired film director, animator, writer, playwright and artist. He draws and makes free graphics, collage, ceramics, tactile objects and assemblages. In the early 1960s, he explored informel, which later became an important part of the visual form of his animated films. He is a leading representative of late Czech surrealism. In his film work, he created an unmistakable and quite specific style, determined primarily by a compulsively unorthodox combination of externally disparate elements. The anti-artistic nature of this process, based on collage or assemblage, functions as a meaning-making factor. The author himself claims that the intersubjective communication between him and the viewer works only through evoked associations, and his films fulfil their subversive mission only when, even in the most fantastic moments, they look like a record of reality. Some of the works he created together with his wife Eva Švankmajerová.