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December 25, 1942

Revisit the news, notable people, and historical moments connected to this date.

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Headlines from December 25, 1942

RUSSIANS IN ALAGIR; New Drive by Red Army Retakes Five Places in Nalchik Area DON GAINS EXTENDED Sweep Toward Rostov Adds Many Towns to Liberated Zone RUSSIANS IN ALAGIR IN CAUCASUS DRIVE

By the Associated Press

USSR forces retake 5 places in Nalchik area; extend gains, middle Don area; retake Alagir southeast of Nalchik and Andron, 25 mi northwest of Orjonikidze; seize many populated places and 2 ry stations, Don area; drive toward Rostov; reptd near Millerovo ry junction; Vatutin forces reptd 45 mi from rr supplying Don bend; Ger forces reptd unable to consol positions; USSR forces take 17 Messerschmitt planes intact; gain, Kotelnikov sector; Ger version

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Notable Births

Françoise Dürr

1942Françoise Dürr, French tennis player and coach[†]

Françoise Dürr is a retired French tennis player. She won 50 singles titles and over 60 doubles titles.

Barbara Follett (politician)

1942Barbara Follett, English politician[†]

Daphne Barbara Follett is a British Labour Party politician who served as Member of Parliament (MP) for Stevenage from 1997 to 2010. During this time she held several parliamentary and ministerial positions.

Barry Goldberg

1942Barry Goldberg, American keyboard player, songwriter, and producer (died 2025)[†]

Barry Joseph Goldberg was an American blues and rock keyboardist, songwriter, and record producer. Goldberg co-produced albums by Percy Sledge, Charlie Musselwhite, James Cotton, and the Textones, plus Bob Dylan's version of Curtis Mayfield's "People Get Ready".

Enrique Morente

1942Enrique Morente, Spanish singer-songwriter (died 2010)[†]

Enrique Morente Cotelo, known as Enrique Morente, was a Spanish flamenco singer and a celebrated figure within the world of contemporary flamenco. After his orthodox beginnings, he plunged into experimentalism, writing new melodies for cante and jamming with musicians of all styles, without renouncing his roots in traditional flamenco singing, which he kept on cultivating despite criticism."It hasn't been easy. First came the accusations of corruption of the music, of treachery in his struggle to disfigure what was already perfectly coded. When some albums and some categorical evidence of his knowledge of the classical approach laid these malicious comments bare, then came the most twisted condemnations. That the pace of the compás waned, that he didn't really make you feel and that kind of thing."