WHEN SONGBIRDS SPEAK, BRAIN SHOULD GET THE CREDIT
By Bayard Webster
IN a six-foot-tall cage at the American Museum of Natural History, a starling flits from perch to perch, casts a quick glance at a visitor and says, ''Hi Sam! Hi kid!'' Not quite Bogart, but very human. The abilities of this bird and of some of its cousins, to imitate human speech - indeed, to mimic a great variety of other sounds with uncanny precision - is now the focus of attention for biologists and ornithologists in many parts of the world. How is it, they want to know, that these creatures, in captivity and in the wild, can accomplish such virtuosity in sound with a primitive vocal apparatus and a brain about the size of a grape? What is it that enables some kinds of birds, in particular the starling family, Sturnidae, of which the myna is the most famously talkative, to learn to speak more than 50 words in some cases and utter as many as 20 sentences? Listeners to a captive starling in Falmouth, Mass., report, for example, that not only can it whistle ''Michael Row the Boat Ashore'' and the opening bars of Beethoven's Fifth Symphony, but it also ''talks'' on and on, saying such things as: ''I go home - you go to sleep. He's a little, bitty baby boy. Yes he is! See ya later. Bye-bye!''