DERRING-DO AT THE OPERA
THREE years ago the Connecticut Opera was facing one of its bleakest seasons ever. With a $60,000 deficit for fiscal year 1979, the nation's sixth-oldest professional opera company had serious cash-flow problems, a five-year ticket sale slump and a 1,250-member subscriber list that had remained static for 35 years. After mounting the world's largest indoor production of Verdi's ''Aida'' at the Hartford Civic Center Coliseum last year, it now appears that the black days for the Connecticut Opera are over. Under the whirlwind stewardship of George Osborne, who assumed the general director's chair in July 1979, the Connecticut Opera has not only retired its deficit, but also has reported an increasing surplus three years in a row.