Hollywood's View of State Goes From Blue Blood to Blue Collar
IN the 1968 film "The Swimmer," Burt Lancaster decides to swim across Connecticut -- from one backyard pool to another. As he moves through the yards of the Fairfield County rich, they barely look up from their cocktails to take note. Fast forward to "Stanley and Iris," filmed 20 years later in Waterbury. It opens as the camera takes in sweeping views of the factories, houses and clotheslines of a working-class city starting its day. In this picture of Connecticut, people don't have built-in pools; they toil in a large commercial bakery.