Critic's Notebook; Early Capra, When He Had An Edge
FOR many people, Frank Capra will always be Santa Claus, the Easter Bunny and Clarence the Angel rolled into one, the director who can make grown men cry at "It's a Wonderful Life" and political cynics cheer at "Mr. Smith Goes to Washington." I'm more partial to an earlier Capra scene, in which Barbara Stanwyck jumps off a yacht in the wee morning hours, rows to shore wearing her evening dress, and is chivalrously given a ride by a man who will turn out to be rich (Ralph Graves). As they drive along the dark road, she says, "Hey, you don't happen to tote a flask, do you?" As if it weren't enough to defy Prohibition in this 1930 film, its title, "Ladies of Leisure," suggests a deeper shade of disreputable conduct. Stanwyck eventually explains her less than brilliant career: "Well, brother, that's my racket. I'm a party girl." We're a long way from Bedford Falls here, and some of us say "Thank goodness." As a film, there is plenty wrong with "Ladies of Leisure," including the kind of contrived, goody-goody ending Capra could never resist. But until the call girl and the rich, artistic hero decide to live happily ever after, this film has a refreshing toughness, a sardonic edge and a sense of grown-up sexuality. Those qualities are the very opposite of the homespun virtues that dominate his films in the late 1930's and 40's, and cause his work to be described as Capracorn.