For the Right, TV Is Half the Battle
By John J. O'Connor
Marlon Riggs, a 35-year-old film maker, now has the unenviable distinction of having come under fierce attack from both sides of the right wing that have made television a primary target. They are the religious right, which pounces on sexual permissiveness, a favorite target being any program that casts gay men or women in a less-than-diabolical light, and the political right, which levels charges of left-wing bias and elitism. And one man's encounters with them are perhaps indicative of the larger spectacle of a quite serious turf war now being waged for nothing less than the whole of American popular culture. Last year, Mr. Riggs's documentary "Tongues Untied," a personal essay about being black and gay, a minority within a minority, was shown on "P.O.V.," a PBS series featuring independently produced films with strong viewpoints. The film unleashed a storm of outrage in powerful right-wing circles, not least in the offices of both Senator Jesse Helms, Republican of North Carolina, and Pat Robertson's Christian Coalition. The latter went to the trouble of putting together, for circulation in Congress and other power mills, a seven-minute tape of scenes from the film, which, out of context, thoroughly distorted Mr. Riggs's intentions.