The Knowable Knack of the Knockoff
ONCE upon a time in the Philippines, 10,000-odd miles from the nearest Knoll International furniture showroom in New York City, Charlotte and Jacques Raven, young residents of Manila with a penchant for classic modern furniture, bought a pair of Ludwig Mies van der Rohe's chrome-and-leather Barcelona chairs for at least $1,000 less than the original. They were knockoffs, of course, made to the German architect's original 1929 specifications by Filipino artisans, but the two X-frame chairs with matching ottomans cost the Ravens 50 percent less than the Mies-approved editions manufactured by Knoll. Better yet, the imitations looked just as good as the real thing. Only an expert could spot the difference; five years later, a child could.