Black Life on TV: Realism or Stereotypes?
From the beginning, television -- the image mill for the mainstream -- has not known quite what to do with black characters. It has struggled, as has the country, to find a place for them that white Americans could find comforting and digestible from the safe distance of their living rooms. Reality had nothing to do with it. Were real blacks ever the docile buffoons depicted on "Amos 'n' Andy," or jolly sycophants like Beulah? Could blacks on television be palatable if they were anything less than Rhodes scholars who speak seven languages, like Bill Cosby on "I Spy," or the properly powdered nurse Julia? Most seasons, old stereotypes pass for shorthand sociology, broken only by contrarian moments like "Roots" or "The Cosby Show." Now, after the success of street movies like "Boyz N the Hood," television, particularly in a few bold steps by HBO, is making black dramas with the highest production values and an edgy pseudorealism, in which violence and pathology are inherent in being black and crack is a required character.