Review/Photography; Farewell Fashion, Hello Art
HAS there been an exhibition that generated more noise before it opened than the Richard Avedon show that is now at the Whitney Museum of American Art? Not this season, anyway. First came the collective groan after David A. Ross, newly installed as the museum's director, proposed it as one of the largest retrospectives ever contemplated at the Whitney. Those who knew that Mr. Ross had enjoyed successes with two previous Avedon exhibitions at museums he headed, in Berkeley, Calif., and Boston, weren't surprised. But more than a few people were taken aback that his first move at an institution dogged by charges of trendiness was a gigantic display of the work of a master of fashion photography and celebrity portraiture. Since then, despite being scaled back, the show has caused an alarming buzz around the museum, like an approaching V-1.
