Sweden's Poet of Film and Stagecraft
IF ever a film seemed destined to age badly, it was "The Seventh Seal," Ingmar Bergman's medieval fantasy about a Knight playing chess with Death. The 1957 film was a major part of Mr. Bergman's international breakthrough, and the white-faced, black-robed Death figure was parodied almost as soon as it appeared. The image has passed from the still hilarious 1968 short "De Duva" ("The Dove"), in which Death plays a mean game of badminton, to a cameo appearance by Death two years ago in "The Last Action Hero." By the time an image appears in a Schwarzenegger movie, it has probably been co-opted beyond recovery. One of the many glorious surprises in the Bergman retrospective opening today at the Walter Reade Theater is how well "The Seventh Seal" holds up, its haunting and eloquent emotional power shining clear through the decades. Presented by the Film Society of Lincoln Center, "Landscape of the Soul: The Films of Ingmar Bergman" is the centerpiece of a vast Bergman Festival. For the next two months, New York will be rich with work that displays the many forms of Mr. Bergman's genius.