At the Met, Britannia Rules Again
THREE prosperous-looking women stepped into the new Annie Laurie Aitken Galleries of English Decorative Arts at the Metropolitan Museum of Art the other day, and one gasped. "Look what they've done to my room!" she said. But the censure gave way to a smile as she crept closer to inspect one room's elaborately stuccoed walls. Once the dining room of a 1740's country house in Oxfordshire, the spacious chamber was for 41 years a frigid chalk white. Now it is painted a rich mottled yellow that recalls egg yolks whisked into milk. Sunny, warm and appealing, the shade is symbolic of the newly optimistic attitude of the Aitken Galleries.
