ART REVIEW;At the Whitney, A Celebration Of Beat Culture (Sandals and All)
TO paraphrase William S. Burroughs, it was the movement that launched a million Gaps. The beats are cool again, and the Whitney Museum of American Art, an institution that is forever surfing the nation's Zeitgeist, has caught the latest wave. "Beat Culture and the New America, 1950-1965" is a tribute to the days before Starbucks, when cats and chicks wore black turtlenecks and sandals, drank espresso and read confessional poetry by the light of candles stuck in Chianti bottles. It has been 50 years since Jack Kerouac met Allen Ginsberg, and 40 since Mr. Ginsberg read "Howl" to a cheering, wine-drinking crowd at the 6 Gallery in San Francisco. A couple of years later, "On the Road" was a pop sensation, and one generation after another since then has rediscovered the beats for itself.
