THEATER REVIEW;Husband and Wife, Primordial Enemies
WHEN the lights come up on the first scene, the Captain, ramrod-straight in the spotless uniform of a 19th-century Swedish cavalry officer, stands at the left of the stage as if frozen in mid-gesture. He appears to have no idea where he is or what he's about to do. His anxiety quickly passes, but it's an indelible moment. It's also enough time for Frank Langella to suggest what soon turns out to be stunningly true: his complete command over one of the most difficult and complex assignments in the modern theater. That is, the role of the obsessed husband and father in August Strindberg's mesmerizing and ferocious marriage play, "The Father." Though the Roundabout Theater Company production, which opened last night at the Criterion Center, has its perfunctory elements, "The Father" still has the power to astonish. Richard Nelson's new adaptation of the Swedish text speaks in clean, spare English prose, the kind that remains discreetly outside time without betraying the conventions of the period when the play was written (1887). Equally important, Mr. Langella's performance is a career triumph of the sort Broadway has seen only once before this season in something other than a megabuck musical.