A New 'Tristan' To Rival Memories
''Tristan und Isolde'' has been a passive presence in the big opera houses of the world, like an imposing building left vacant for lack of prime tenants. For years we have had the orchestras, the conductors, the directors and the means to bring Wagner's immense, hypnotic and deeply disturbing opera to life. What we have not had is people to sing it. ''Tristan'' perseveres in opera houses smaller and more hospitable to voices of lesser means, but the Flagstads, Nilssons and Melchiors capable of dominating the title roles have gone, and they have left us empty-handed. The requirements are staggering: eloquence, beauty, sheer bigness and stamina.