Dark Was The Young Knight
By Manohla Dargis
Near the big-bang finish of ''Batman Begins,'' the title avenger, played by the charismatic young British actor Christian Bale, scoops up a damsel in distress, played by Katie Holmes, and spirits her away to his lair. Watching this scene, it was hard not to think how nice it would have been if Batman had instead dispatched the infernally perky actress, whose recent off-screen antics have threatened to eclipse this unexpectedly good movie. As it happens, the most memorable rescue mission in ''Batman Begins'' isn't engineered by the caped crusader, but by the film's director, Christopher Nolan. ''Batman Begins'' is the seventh live-action film to take on the comic-book legend and the first to usher it into the kingdom of movie myth. Conceived in the shadow of American pop rather than in its bright light, this tense, effective iteration of Bob Kane's original comic book owes its power and pleasures to a director who takes his material seriously and to a star who shoulders that seriousness with ease. Until now, Mr. Bale, who cut his teeth working with Steven Spielberg on ''Empire of the Sun'' almost two decades ago, has been best known for his scarily plausible performance in ''American Psycho,'' an intellectual horror movie that now seems like a prelude to this one: think American Psycho redux, this time in tights.